In the gray crease before the night,
the man and I tossed milkweed seeds into the wind.
We sent silent wishes,
for patches of earth, space to grow.
That we may one day see them tall and green.
To know our hands had been a part of their travels.
The child watched us,
watched the seeds pinwheel on the breeze.
In the gray crease before the night,
So much life here, at the edge of the sea.
I despise each footfall; the crunch of tiny things.
Each footfall, destruction.
And the wild sky shifts above.
Ever moving, floating white and blue.
And the slipping sea feeds the life clinging to its edge.
Tiny life, tinier than me.
Meeting death beneath my boots.
And yet I, too, am just a speck.
Lost, beneath the footfalls of a thousand ghosts.
I said I’d give a more detailed account about how my publishing deal came about. Honestly, I couldn’t do it right away. It was one of the most intense things that’s ever happened to me. It was scary. It was surreal. I had become pretty accustomed to coming thisclose, or not close at all. I understood rejections. I had solid coping mechanisms in place for them. I did not expect “yes” to be as stressful as a really bad “no.” So I needed some time to pass. For a shocking wave of oh-my-god-someone’s-going-to-PAY-me-so-if-my-book-flops-I’ll-be-failing-all-these-publishing-people anxiety to pass. I have since gotten a grip. Sort of. I’m still scared, but hopeful, too. I love my book. I am tickled fuchsia that the team at Egmont USA loves it, too.
Now, every publisher has different procedures. Some move faster. Some move slower. Two writers at the same publisher may have an entirely different experiences. There’s a lot of factors involved that affects the pace of a publishing deal. This is how it went down for ME.
3/14/14: The Black Bird of the Gallows goes on submission to nine editors. Silence.
5/1/14: Add three more editors to the submission list.
5/15/14: I send a slightly ranting email to my agent, wondering why I haven’t received a rejection yet. I want a rejection, damnit!
5/19/14: Agent replies with soothing, reassuring words. Then mentions that it’s going to an editorial meeting at Egmont. I relax a little, try not to get excited. Editorial meetings are just step one.
5/22/14: Book passes muster at editorial meeting. It will be discussed next at the marketing meeting the following Tuesday. Now, I begin to get hopeful. I also make the error of thinking this “marketing meeting” is the acquisition meeting, so when Tuesday comes and goes, I’m convinced it got shot down. Agent reminds me that this is BEA week and they are likely focussed on that. I suddenly hate BEA. The. Suspense Is. Killing. Me.
6/10/14: Message that marketing liked it and it will be presented at the pub (acquisition) meeting the following day, but not to worry, it “will go through swimmingly.” We are told the P&L will be done ASAP. Oh My GOD!!!!! My agent begins to alert the other publishing houses who have it that an offer is coming. I do obsessive and repetitive google searches on what a P&L is (profit and loss statement––YOU look it up). I start to experience night sweats.
6/16/14: I again harass my agent for news (which she doesn’t have) because I cannot help myself.
6/18/14: Confirmation that an offer is coming. Hopefully by Friday, which is in two days. Plus, there is interest from another editor. Aaaah!
6/20/14: Email from agent that she needs to talk to me but can’t reach me. Yes, technical troubles after I’ve worn my phone like an extra limb for the past month. Finally, THE CALL. The actual call. There is an offer. (Wow, writing this, reliving that moment, is making me tear up.) I actually leaped into my husband’s arms. If it hurt, he didn’t tell me.
6/26/14: Offer accepted, after some negotiating by my intrepid agent.
7/10/14: Deal announced in Publisher’s Weekly. I cry a little, seeing it there. I’ve gazed at countless weekly “Deals” page, longing for the day my announcement would be in there. And now it is. I feel like I could totally do this:
For the rest of my life, I will remember getting that call. There are only a few times I recall being that happy. That unbelievably over the moon. I’d achieved a milestone I was beginning to think would never happen. BTW, the other editor ultimately stepped aside because my book has paranormal elements and her house is only seeking contemporary. Rereading my stress-fueled emails to my agent just now was painful. Gad, I sounded like a nut. But I learned about myself and will implement the next time I am on submission: I do not want to know what is happening every step of the way. I thought I did, but all that happened is I went bat-shit crazy for about a month. My family didn’t enjoy that. In the future, I will tell my agent to tell me nothing, unless we have an offer. Ignorance is not bliss, but in this case, it is sanity. So there it is. The highlights and the lowlights and everything in between. Live well, write on! And do some of this:
I’m happy to announce that I’ve sold my YA horror, The Black Bird of the Gallows to Egmont USA! I like so much about this publisher––and I know a great deal about them because I am very good at searching for things on the internet. Meg does research
Anyhow, the book will be out in early 2016––in hardcover, people!!––and I’ll share the stuff that comes between then and now. More later, but here is the link to my official announcement!
I got this catalog in the mail a few days ago. I thought I read the title wrong. It seems cruel or a total joke to put, “Gear up for the best school year ever,” on the cover, followed by a reference to lunch bags and backpacks. I mean, kids aren’t even out of school yet. For those of us living in northern states, we just got leaves on the trees. We are NOT thinking about fall. Seriously, people.
I told my husband, loudly, how stupid it is to pimp back to school stuff in mid June. But I’m a big fat hypocrite. I am. I’m constantly anticipating, projecting possible outcomes. Now, if you are a writer working toward traditional publication (like me), patience is essential. If you don’t have it, you must acquire it somehow––steal some from a zen person, grow it in a jar, whatever––because there is a lot of waiting. Waiting to hear from agents. Waiting to hear from critique partners and beta readers. Waiting to hear from editors, and then, if you are very fortunate, waiting for your finished book to be released.
That said, I possess zero natural patience. I appear to have some (in an effort to be professional and not crazy), but it’s all show. My internal dialogue is that irritating kid in the backseat chanting, “Are we there yet? Are we there yet?” Nobody wants to hear that. Least of all, me. We’re supposed to enjoy the journey, be in the present. All easy––and excellent––advice to give, but living it is another thing entirely. Mindfulness is an elusive state for many. Elusive, but worth chasing. And I am chasing it. Really. Or I will, right after I order this cute monogrammed lunch bag for my daughter. September is only two months away, after all
On a Saturday morning, this happened:
I watched my husband start to order the clothes back on, but then he just closed his mouth with a sigh and a smile. We stood there, watching our two-year-old run with gorgeous, giggling abandon through the grass and smothering pangs of longing to do the same thing––to dip back to the days when streaking across the yard would have earned us amused smiles, rather than a visit from the sheriff and a lecture on common decency. Oh, to be free and unselfconscious and joyous. Eventually, the diaper came off too, to be hung amongst the yellow flowers of the forsythia bush (in photo at left) and my daughter transformed into full-fledged wood nymph, complete with trailing flowers and muddy feet and shrieks of pure joy. It was beautiful to observe and a poignant reminder how magical these early days of warmth are. Plants crack through the soil, the ends of branches swell red with tightly curled leaves. It’s all proof that no matter how formidable winter can be, a new season is right around the corner, ready to fill the days with warmth and wake up all the sleeping things.
Isn’t it gorgeous? Of course it is. The cover gods were particularly benevolent with this one. I’m
totally a little bias because this beauty is the literary fruit of my friend Romily Bernard. Remember Me is the second in a trilogy put out by Harper Teen (9/23/14) and follows the misadventures of computer hacker Wick Tate. Find Me, book 1, was un-put-downable (ooh, spell check hates every bit of that word) and I can personally attest that this sequel is even more engrossing. I was lucky enough to read an early draft, and…wow. If you’re a fan of YA thrillers with tech flavor, Romily is your girl. Plus, she’s super amazing and generous. Just sayin’. Now, go ahead and moon over this sublime cover:
Some people can’t write with music on, but I find the right soundtrack can clear my head and put me deep in the scene I’m writing. It strengthens my point of view, blocks extraneous thoughts and minimizes the chance I’m going to get distracted by something dumb. There’s a link, I think, between music and words, and when that right song is playing, my fingers feel obliged to keep up. A valuable tool when writing is especially difficult; when self doubt crowds the mind with rubbish. If you think about it, our brains can only do so many things at once: We can’t write and listen to music, and lecture ourselves on what hack writers we are. For me, the rubbish is jettisoned and it’s just me and the music and my words.
This song is on loop right now, the only thing making Chapter 11 of my current work in progress happen: