When I began seriously pursuing publication, I decided then and there to aim impossibly high (because I’m just masochistic like that). I wanted the same thing that many (but not all!) writers want: a big publisher, an amazing editor, a pretty book. But in order to get through the door at those big houses that don’t accept unsolicited material, I needed an agent.
Agents are a capricious bunch. They have ever shifting wish lists and impossible-to-pin-down interests. What is an original voice, anyway? And do they really want “fresh and original?” They smile at conferences and send form rejections two weeks later. And then there’s the crush of other writers who are also querying, making the odds of signing one statistically improbable. Don’t research those numbers. You may begin to think you actually could win the Powerball Jackpot.
Despite all that, I was determined to get one. In fact, I didn’t allow myself the option of not getting one. I set my mind and decided that sooner or later, I would have an agent of my very own. If it wasn’t this book, it would be the next (or the next). Whatever. It was inevitable. It was fate.
But, fate needs help. First, I made sure my book was the Absolute. Best. Thing. I’d. Ever. Written. For real. I revised and revised and revised until I knew in my heart I could not make it better. I’m glad I took the time and did that, because those first rejections hit hard, and they hit low. It’s easy for little doubts to spiral into, “oh, why am I even bothering? This book sucks.”
It happens. That’s why “good enough” isn’t at all, good enough.
Next, I put serious time and effort into my query letter. I can’t stress this enough how important this is. It’s not fair that our entire novel is initially judged by a half-page letter, but it just is. I knew that I was increasing my odds of getting a read if I made that half-page shine. I don’t have a formula for writing these things. I still loathe query letters on a deep, fundamental level, but since they are inescapable in publishing, I was determined to write the best one possible. I started by writing one I though was good, and offering it for critique on the forums of querytracker.net and agentconnect.com to get feedback (lesson learned: not all the advice on there is good. Be choosy).
Next came the actual querying part. I also had a fairly complex method for querying so I didn’t query all my favorite agents with a query letter that wasn’t effective. Querytracker.com was invaluable. They have data for everything––query and manuscript response times, what genres an agent requests most frequently, the percentage of fulls/partials an agent requests and links to their websites/blogs. There’s a useful comment section, too, where users post their experiences, often pasting in their rejection letters so you’ll know if you’ve received a form. I set up a free account and began my list. Using the search fields, I added all the agents who repped YA, were looking for clients and were in the U.S. I researched these, checking out their blogs, looking up what books they sold, and chose my favorites. I set them aside. I didn’t want to query all my favorites straight off. What if my untested query was awful? From the whole list, I took note of the ones who replied quickly, the ones who only responded if they were interested and those who requested often. I sent out five at a time, making sure there was at least one quick responder and one frequent requester. I generally included one that I liked, too, and yes, I bombed out on a few top choice agents because they got substandard query letters. The “Rs” came hot and heavy in the beginning, so I knew I needed to tweak my query. I reworked it numerous times, and finally found a version that began getting requests with every round I sent out. That’s when my top-top choices got my query. I ended up with three offers and signed with Sara Crowe of The Harvey Klinger Agency. Now, on to surviving the submission process!
This is what worked for me in my agent search, but it’s not everyone’s best method. The only part of my process that I think everyone should definitely follow is the part about not accepting defeat. Ever. Remember: (corny phrase alert) rejection doesn’t mean you’re losing the game. It’s proof that you’re playing it.
Here are my final query stats:
Sent = 54
Requests for material = 12
Rejections = 30
(The remaining were non-responders.)
I offer free pep talks to anyone feeling down and/or considering giving up their or is confused by querytracker.com, so don’t be a stranger!